• Luther Campbell Calls Spike Lee An “Uncle Tom”

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    It’s not just Dick Gregory firing shots at Spike Lee over his criticism of Django Unchained. Columnist and 2 Live Crew member Luther Campbell unleashed some scathing critcism at the famed director in a new piece for the Miami Times, kicking it off with, “Screw Spike Lee.” Who shot ya?

    Here’s an excerpt:

    Lee needs to get over himself. He’s upset because Tarantino makes better movies. The man who put Malcolm X on the big screen is Hollywood’s resident house negro; a bougie activist who wants to tell his fellow white auteurs how they can and can’t depict African Americans.

    He complains that Tarantino uses “nigger” too much (100 times) in Django Unchained, but show me a white man in the 1800s who wasn’t dropping n-bombs left and right.

    Tarantino is one of Tinseltown’s most clever directors. Some of the most brutal scenes in Django Unchained are metaphors for the unfair racial inequality African-Americans still experience today. For instance, Leonardio DiCaprio’s plantation owner character Calvin Candie trains some of his male slaves to fight to the death in a sport called “Mandingo Fighting.”

    When one of the slaves refuses to fight, Candie threatens to feed him to his wild dogs. That scene is analogous to professional boxing where white promoters control black fighters through fear and intimidation.

    In another scene, a bunch of slaves are shocked to see Django riding a horse since blacks were never allowed to have one. That’s like the cops who stare at and then pull over the dude who is driving a Bentley on South Beach.

    While on the horse, Django tells the slaves that he’ll treat them worse than any white man ever will. That’s the truth about blacks in positions of authority in today’s corporate America. They will treat blacks worse than any white boss every could.

    He concluded the column with: “Spike is upset because Samuel L. Jackson’s character in the movie is just like him: a conniving and scheming Uncle Tom.”

    Yikes.

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